Matthews 48" Floppy Flag
Matthews 48” x 48” Floppy Flag - Top Hinge. 90 degrees. Flag and Cutter frames will make it possible to position the instrument over the top of the set wall or to use two or more units to create a box for better light control.
There are now three square corners as opposed to the older design providing just two. In addition, the 48“x48“ frames have been squared off with the removal of the mouse ears. Flags are square or rectangular frames with mounting pins attached and covered with a solid cloth material.
Used to control light, whether natural or artificial. Flags can be used to protect the camera lens from flares or to control spill light from other sources, or keep light from reaching certain areas on the set.
Matthews 48” x 48” Floppy Flag - Top Hinge. 90 degrees. Flag and Cutter frames will make it possible to position the instrument over the top of the set wall or to use two or more units to create a box for better light control.
There are now three square corners as opposed to the older design providing just two. In addition, the 48“x48“ frames have been squared off with the removal of the mouse ears. Flags are square or rectangular frames with mounting pins attached and covered with a solid cloth material.
Used to control light, whether natural or artificial. Flags can be used to protect the camera lens from flares or to control spill light from other sources, or keep light from reaching certain areas on the set.
Matthews 48” x 48” Floppy Flag - Top Hinge. 90 degrees. Flag and Cutter frames will make it possible to position the instrument over the top of the set wall or to use two or more units to create a box for better light control.
There are now three square corners as opposed to the older design providing just two. In addition, the 48“x48“ frames have been squared off with the removal of the mouse ears. Flags are square or rectangular frames with mounting pins attached and covered with a solid cloth material.
Used to control light, whether natural or artificial. Flags can be used to protect the camera lens from flares or to control spill light from other sources, or keep light from reaching certain areas on the set.